specit

Model 566 Table Lamp

Product Code T11-T41-000G LED
ASTEP

ASTEP

Designed in 1956, the Model 566 embodies Gino Sarfatti’s reductive process, resulting in a balanced elemental form. The luminaire stands poised, with implied forward motion, lightening the contrasting body tube which holds the characteristic Cornalux bulb. The body tube is cleverly supported by a simple rubber ring that provides the perfect amount of friction for infinite adjustability. The base, originally made of cast-iron, is now made from an alloy of aluminium, magnesium, and copper, which provides better resistance to corrosion, produces no air pollution during production, and is recyclable. Punctuating the design, a familiar push-button on/off switch is incorporated in the base, providing a satisfying click.

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Dimensions * Lamp Width: 5.51 inch, Depth: 14.72 inch, Lamp Height: 19.92 inch

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Delivery Lead Time : 12 Weeks
*12 weeks delivery barring European Winter/Christmas Closure

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Name Model 566 Table Lamp
Product Code T11-T41-000G LED
Family Name Model
Indoor / Outdoor Indoor
Mounting Table
Net Weight 2.10 Kg
Dimensions Lamp Width: 5.51 inch, Depth: 14.72 inch, Lamp Height: 19.92 inch
No.of Bulbs 1
Wattage 7W
Bulb Base B22
Light Effect Diffused
IP Rating 20
Certification CE
Material Aluminum Body, Steel Stand, Cast Alloy Base.
Gino Sarfatti
Gino Sarfatti

Gino Sarfatti was born in Venice in 1912 and studied Aeronaval engineering at the University of Genoa. From 1939 onwards he worked in the lighting sector and set up Arteluce which soon became a national and international reference point for the modern architecture movement in lighting. During his thirty years of activity, Gino Sarfatti designed and produced over 400 luminaires and carried out non-stop research into innovation as regards typology, materials, production technologies, light sources, technical lighting effects and design aspects. In the course of their work, Gino Sarfatti and Arteluce won numerous prizes and awards including the Compasso d'Oro in 1954 and 1955, and the Honorary Diploma of the Milan Triennale. Arteluce was also a meeting place and an important forum for many of the leading Italian designers in the 50s and 60s.

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