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The floor lamp designed in 1968 is slender, graceful and intriguing in its disproportions between head and base. The design of the small reflective cup is strongly influenced by the new halogen light bulb, which Gino Sarfatti explored and celebrated in Model 1095 from both a functional and a dimensional perspective. Offering indirect light in a subtle design, the luminaire is made up of a tubular aluminium stem available in three different heights and painted slate grey. The small reflective cup with its thin shape is made of white-painted aluminium, and so is the base with the appealing soft shape and neat collar. In the re-issue, the base covers the electronic devices instead of a transformer, and besides LED lighting, the luminaire has also been upgraded with a liquid cooling system patented by Flos.
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*12 weeks delivery barring European Winter/Christmas Closure
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| Name | Model 1095 Floor Lamp - 1700mm |
| Product Code | T06-F12-210B |
| Family Name | Model |
| Indoor / Outdoor | Indoor |
| Mounting | Floor |
| Net Weight | 6.20 Kg |
| Dimensions | Lamp Diameter: 7.87 inch, Reflector Diameter. 3.14 inch, Lamp Height: 66.92 inch |
| Wattage | 12W |
| Color Temperature | 2700K |
| Light Effect | Diffused |
| IP Rating | 20 |
| Certification | CE |
| Material | Aluminium Stem, Spun Steel Base |
Gino Sarfatti was born in Venice in 1912 and studied Aeronaval engineering at the University of Genoa. From 1939 onwards he worked in the lighting sector and set up Arteluce which soon became a national and international reference point for the modern architecture movement in lighting. During his thirty years of activity, Gino Sarfatti designed and produced over 400 luminaires and carried out non-stop research into innovation as regards typology, materials, production technologies, light sources, technical lighting effects and design aspects. In the course of their work, Gino Sarfatti and Arteluce won numerous prizes and awards including the Compasso d'Oro in 1954 and 1955, and the Honorary Diploma of the Milan Triennale. Arteluce was also a meeting place and an important forum for many of the leading Italian designers in the 50s and 60s.
