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True to its namesake, the Ghost hanging lamp possesses an ethereal presence. Large in scale yet elegant in sensibility, the luminaire floats overhead from nearly invisible cables to provide a focal point in any space. The sculptural pendant hangs low for dramatic effect. It’s made of mouth-blown opal triplex glass with a smooth surface that radiates a warm, welcoming glow.
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Delivery Lead Time : As On Request
*12 weeks delivery barring European Winter/Christmas Closure
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Name | Ghost 4987 Suspension Lamp |
Product Code | 4987 11/1A LED |
Family Name | Ghost |
Indoor / Outdoor | Indoor |
Mounting | Suspension |
Net Weight | 12.4 Kg |
Dimensions | Pendant Diameter: 18.70 inch, Pendant Height: 22.44 inch, Max Reach From Ceiling To Pendant: 140.55 inch |
Wattage | 37.2W LED-PCB |
Color Temperature | 2700K |
Cord Length | 3 Meter |
Light Effect | Diffused |
IP Rating | 20 |
Certification | CE |
Material | Mat opal triplex blown-glass diffuser, Ceiling rose: Steel |
Technical Details | Both dramatic and delicate, the Ghost pendant hangs low from nearly invisible cables to form a floating focal point. Crafted of mouthblown opal triplex glass, its smooth surface radiates a warm, luminous glow. |
Design is an uncontrolled muscle according to Arik Levy (born 1963). Designer, technician, artist, photographer, filmmaker, Levy's skills are multi-disciplinary and his work can be seen in prestigious galleries and museums worldwide. Hailing originally from Israel and moving to Europe in 1988, Levy currently works in Paris with his 20-strong team of designers and graphic artists forming L design. The firm also produces brand identities, packaging, signage, exhibition and interior design. Following studies at the Art Center Europe in Switzerland where he gained a distinction in Industrial Design in 1991, Levy's first international success was winning the Seiko Epson Inc. competition, which jettisoned him into the public consciousness as a thinking designer. Respected for his furniture and light designs on all continents, Levi considers himself now more of a feeling designer. Life is a system of signs and symbols, he says, where nothing is quite as it seems.
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