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A contemporary reimagining of the grand lights that once graced entryways and living areas, the Ghost table lamp evokes a luminous, ethereal presence. It features a stacked silhouette of bulbous forms made of mouth-blown opal triplex glass that radiates a warm, welcoming glow. A black band encircles the midsection, accentuating its sensuous curves while serving as a hand-touch dimmer for the push version. The luminaire, available in three sizes, is offered in white, burgundy, or amber diffusers for personalised lighting effects.
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Name | Ghost 4970 Table Lamp |
Product Code | 4970 11/15 LED |
Family Name | Ghost |
Indoor / Outdoor | Indoor |
Mounting | Table |
Dimensions | Lamp Diameter: 18.70 inch, Lamp Height: 34.64 inch |
Wattage | 2 × LED 19.8W |
Color Temperature | 2700K |
Light Effect | Diffused |
IP Rating | 20 |
Certification | CE |
Material | Mat opal triplex blown-glass diffuser |
Technical Details | The Ghost table lamp features a stacked silhouette of bulbous forms that radiate a warm, ambient glow. The diffusers are made of mouthblown opal triplex glass in a choice of several colours for mix-and-match lighting effects. |
Design is an uncontrolled muscle according to Arik Levy (born 1963). Designer, technician, artist, photographer, filmmaker, Levy's skills are multi-disciplinary and his work can be seen in prestigious galleries and museums worldwide. Hailing originally from Israel and moving to Europe in 1988, Levy currently works in Paris with his 20-strong team of designers and graphic artists forming L design. The firm also produces brand identities, packaging, signage, exhibition and interior design. Following studies at the Art Center Europe in Switzerland where he gained a distinction in Industrial Design in 1991, Levy's first international success was winning the Seiko Epson Inc. competition, which jettisoned him into the public consciousness as a thinking designer. Respected for his furniture and light designs on all continents, Levi considers himself now more of a feeling designer. Life is a system of signs and symbols, he says, where nothing is quite as it seems.
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