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PH 3 -2 Table was designed in 1928 and is one of many development projects undertaken by PH in connection with the development of his world-famous three-shade system. The table lamp is based on PH's original drawings, and comes with the first type of shade holder, with adjustment screws. The top metal shade has a rolled edge, a decorative and stabilising feature that makes the shade appear thicker than the actual material. The two bottom shades are made of mouth-blown opal glass. PH found that this combination utilises the light source more efficiently, directing the light downwards due to the reflection from the white inner surface of the top shade. The frame is brown painted brass giving the lamp the same appearance as the burnished brass lamps of the time - a process that is no longer recommended due to environmental considerations.
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Name | PH 3½-2½ Table Lamp |
Product Code | 5744164919 |
Family Name | PH |
Indoor / Outdoor | Indoor |
Mounting | Table |
Net Weight | 2.6 Kg |
Dimensions | Shade Diameter: 12.99 inch, Height: 17.71 inch |
No.of Bulbs | 1 |
Wattage | 5W |
Color Temperature | 2700K |
Bulb Base | LEDE14P45 |
Light Effect | Diffused |
IP Rating | 20 |
Certification | IEC |
Material | Top shade: Spun aluminium. Other shades: Mouth-blown white opal glass. Shade holder: Silk matt brown brass. Stand: Silk matt brown brass. |
Poul Henningsen was born in Copenhagen to the famous Danish actress Agnes Henningsen. He never graduated as an architect, but studied at The Technical School at Frederiksberg, Denmark from 1911-14, and then at Technical College in Copenhagen from 1914-17. He started practicing traditional functionalistic architecture, but over the years his professional interests changed to focus mainly on lighting which is what he is most famous for. He also expanded his field of occupation into areas of writing, becoming a journalist and an author. For a short period at the beginning of WWII, he was the head architect of the Tivoli Gardens in Copenhagen. Poul Henningsen's pioneering work concerning the relations between light structures, shadows, glare, and colour reproduction-compared to man's need for light remains the foundation of the lighting theories still practiced by Louis Poulsen Lighting.
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